
Choose the Right Package Shape
Packaging
Choose the Right Package Shape
Wide packages look stable and heavy, tall packages seem healthy and luxurious, and round packages look sweet and feminine.
What's the ideal shape for packaging?
It depends.
How to Apply
- Wide = Heavy. Wide packages are stable, and stable objects look heavy (Yang et al., 2021). Wider packages should perform better for a rich and creamy brand of yogurt, whereas a healthy brand should perform better with a short width at the bottom.

- Tall = Healthy. Customers subconsciously compare packaging traits to humans. Tall packages seem healthy because they remind customers of a tall and slender person (van Ooijen et al., 2017).
- Tall = Luxury. Participants believe that tall and thin people belong in higher socioeconomic classes, and they transfer this belief to packaging: Tall packages are more effective in high-end markets (Chen et al., 2020).

- Round = Feminine. Evolutionary conditions have cultivated rounder shapes in female bodies (Van Tilburg et al., 2015). And this belief affects packaging: Angular packages seem masculine, while round packages seem feminine (Pang & Ding, 2021).
- Round = Sweet. Since round packages seem feminine, they inherit feminine traits, such as sweetness (Velasco et al., 2014). Choose a round package for sweet chocolate, yet an angular package for spicy food.
- Chen, H., Pang, J., Koo, M., & Patrick, V. M. (2020). Shape matters: package shape informs brand status categorization and brand choice. Journal of Retailing, 96(2), 266-281.
- Pang, J., & Ding, Y. (2021). Blending package shape with the gender dimension of brand image: How and why?. International Journal of Research in Marketing, 38(1), 216-231.
- van Ooijen, I., Fransen, M. L., Verlegh, P. W., & Smit, E. G. (2017). Signalling product healthiness through symbolic package cues: Effects of package shape and goal congruence on consumer behaviour. Appetite, 109, 73-82.
- Van Tilburg, M., Lieven, T., Herrmann, A., & Townsend, C. (2015). Beyond “pink it and shrink it” perceived product gender, aesthetics, and product evaluation. Psychology & Marketing, 32(4), 422-437.

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